@tabithalou: This what they not showing you on the media. These young men cleaning up after the riot. #Ferguson
HOLY SHIT, IT WAS THE ORIGINAL ONE
MAKE A WISH
the first post ever on tumblr
this was why they put the reblog button on the bottom of posts
I THOUGHT I WAS GOING TO SEE LINDSAY LOHAN OR SOME SHIT WOW
Always reblog because perfection.
- Louis Sachar
What if verbal abuse left the same scars as physical abuse? Would it be taken more seriously? That’s what photographer Richard Johnson hopes to accomplish with his new photo project, “Weapons of Choice.”
The series uses a makeup artist to put bruises and scars on photo subjects. Embedded in these violent marks are some hateful words typically associated with abuse, such as “Stupid,” “Dumb,” “Trash” and others that are much, much worse.
Remembering a Generation with @notmynonni
Italy Instagrammer Tiana Kai Madera (@tianapix) captioned one of her photos “not my nonna,” using the affectionate word for “grandma” in Italian. When her community was amused by the happy nature of the shot, she started the account @notmynonni (nonni means “grandparents”) to capture quintessential Italian scenes of elderly people going about their daily lives—in the streets, in winter coats, or standing next to old cars. “The older the nonni, the more moved people get—and I hope to capture Italy and all of its nonni,” she explains.
Tiana’s grandfather, to whom the account is dedicated, had Sicilian parents. She says she feels closer to him after moving to Florence from Miami. “I see my grandpa in many nonni that I photograph,” she says. “Some I stop and chat with, others I smile and move on and sometimes assist them if they need help down a step. Each of us has a nonno or nonna inside these strangers.”
Other Instagrammers joined in, using the #notmynonni hashtag to share photos of other people’s grandpas and grandmas.
Tiana feels the love for the account comes from the fact that “everyone has an elderly figure that they love,” and she enjoys seeing people share affectionate photos of nonni all over the world.
"This project reminds us to be kind, to love our family and others."
Going Back to the Roots with Henrique Oliveira’s Transarquitetônica
Brazilian artist Henrique Oliveira invites spectators to step inside his latest artwork and explore a giant wooden maze at São Paulo Museum MAC. His largest installation to date, Transarquitetônica is a 70 meter (229.66 ft) interactive sculpture made of tapumes, a plywood material traditionally used for cheap housing in Brazil. As the piece’s name suggests, Oliveira’s work speaks to the concept of time and evolution. Spectators discover spaces of contrast, as certain areas reference today’s modern architecture while sprawling branches symbolize man’s first dwelling.